Slang is the sixth studio album by English rock band Def Leppard, released on 14 May 1996. The album marked a musical departure from their signature sound; it was produced by the band with Pete Woodroffe and was their first album since 1980 without involvement by Robert John "Mutt" Lange. Slang is the first album with new material to feature new guitarist Vivian Campbell (Campbell had previously played on the B-side collection Retro Active in 1993 and on the new song on Vault a year earlier). It charted at #14 on the Billboard 200^[3] and #5 on the UK Albums Chart.^[4] It is also the only Def Leppard album that does not feature their recognisable font logo on the album cover, though all its singles still bore the classic logo.

Between the releases of Retro Active and Slang, Def Leppard endured hardships including guitarist Phil Collen's divorce from actress Jacqueline Collen, bassist Rick Savage's battle with Bell's palsy and the death of his father, and the arrests of both drummer Rick Allen and lead singer Joe Elliott for spousal abuse and assault, respectively. Though the band says Adrenalize was recorded during a bleaker time, the absence of Mutt Lange (for the first time on a Def Leppard album since 1980) made it possible for the band to show what they were really feeling.^[5] Said Elliott, "There was a period with Mutt where if you came out with anything slightly negative, it was 'Fuck it!' and it was gone!" Collen continued: "We've all got personal things that have happened during the recording of Slang, and we've just ploughed on and some of it has come out on the record."

Doing without Lange's services, the band changed another habit by recording together, in a townhouse in Marbella, Spain. Slang would feature less production in favour of a more organic sound, catalysed by Allen's reversion to a semi-acoustic drum kit. "We'd got so sick of recording the old way. We didn't want to do it any more. We wanted the music to be more personalised and let the character of the individuals to come out," explained Savage.^[5]

"We knew we couldn't make a typical Def Leppard album in the mid-1990s," said Vivian Campbell. "Grunge was very much happening and our stuff was anathema at the time… Personally, I think we could have bolstered the songs with a little more of that Def Lep fairy dust… but instead we went, 'No, let's keep it raw: no backing vocals; let's not do that part because it's too melodic; let's be more monotone… At least it gave us the chance to grow up a little. We live in a state of arrested development in this band, singing songs like 'Let's Get Rocked'. So we did get to write some grown-up lyrics. And we were going through a lot of shit at that time: Sav's dad died on the eve of the first recording day; both Joe and Phil were going through divorces… So it gave us an opportunity to write lyrics that reflected the reality of our lives."^[6]

Songs such as "Turn to Dust" introduced sarangi and other instrumentation atypical for the band. The lyrical content featured a darker and more introspective turn for the most part, with lighter fare restricted to the Prince-influenced "Slang".

Slang was the first Leppard album to fail to achieve platinum sales in the US. Elsewhere, it performed better: it placed four singles on the UK charts, and went platinum in Canada. On the supporting tour the band performed for the first time in Southeast Asia, South Africa and South America. Only the album's title track has been played live after the Slang World Tour of 1996 to 1997 with it being performed regularly in the early 2000's and occasionally after, mostly recently during their 2023 performance at The Leadmill in Sheffield.

A limited edition release included a six-track bonus disc, "Acoustic in Singapore", recorded live in October 1995.

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Professional ratings

Review scores
Source	Rating
AllMusic	link
Chicago Sun-Times	[9]
The Cincinnati Post	(D+)[10]
Entertainment Weekly	(B+) link
Sputnik Music	link
Rolling Stone	(mixed) link
Q	[11]

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Slang received mixed reviews. Stephen Thomas Erlewine of AllMusic rated the album three out of five, writing that the band's change in their approach with Slang was "apparent and welcome -- Def Leppard hasn't sounded so immediate since Pyromania." He further adds that the band "expand their musical vocabulary slightly, working elements of R&B and funk into the rhythms." Erlewine concludes that "Slang would have been even better if they had come up with a set of hooks that sounded as alive as their performance, but the album is a much-needed return to form for the group."^[12]

Conversely, Sputnik Music was more critical of the album, rating it two and a half out of five. They criticized Slang's seeming lack of direction and how "the veteran Sheffield outfit (alongside new co-producer Pete Woodroffe) decide to throw absolutely everything at the wall to see what sticks." They further added that "in progressing outside of their comfort zone, their limitations have become a little too apparent." Sputnik Music was, however, more positive towards "All I Want is Everything", "Work It Out", "Breath a Sigh" and "Deliver Me", deeming them to be "a solid and workmanlike mid-album quartet of tracks which make the album passable." They concluded that Slang "may be a passable release (if only just), but it leaves Def Leppard’s future very much up in the air."^[13]

"The whole thing is potty," David Quantick wrote in Q, "but in a supple and melodic way – even the ballads lack the usual Def Leppard sense of having been written for lead-lined hippos to sing. Slang is the sound of a band doing something fast and interesting, at the exact point in their lives when most bands are taking up golf and inhaling the contents of aquariums in country manors."^[11] Q later included the album among its 'best of 1996', describing it as "the work of a huge band, aware that the straight-ahead rock they once plied so enthusiastically is dead and who have embraced the new breed with élan."^[14]