Solla Solla Inikkum (transl. Tastes sweet on talking more about it) is a 2009 Tamil-language film directed by G. Muraliappas, who previously directed Raasi. The film stars Navdeep, Madhumitha, and Mallika Kapoor, Suja Varunee, and Sara Alambara, while Prakash Raj, Abhinay, Sathyan, Vijayakumar, Ashish Vidyarthi, and Livingston play supporting roles. The music was composed by Bharadwaj with cinematography by Arthur A. Wilson and editing by V. T. Vijayan. The film was launched on 14 May 2008^[1] and released on 18 September 2009.

Sathya (Navdeep) completes his degree and spends time with his friends. Life goes uncomplicated for him until he meets Anjali (Sara Alambra). What starts as friendship between them develops into love. When Sathya proposes to Anjali, she turns it down, saying that it was only friendship and nothing more than that. Next comes Meghna (Suja Varunee), and what starts as love between them ends the same. Meghna insists they part as lovers as it was all a time pass for her. Afterwards, Sathya comes across Radhika (Madhumitha). They become close friends, and so is Sathya's friend Guru (Abhinay) with her. When Sathya decides to inform Radhika about his desire to marry her, she throws a bombshell by saying that she and Guru are in love with each other. Guru takes her for a ride but deserts her after using her. Sathya steps in and ensures that both get married. Guru seeks solace with Bhadri Narayanan (Prakash Raj). A do-gooder and influential man in the society, he takes sides with Guru. Sathya goes hammer and tongs and ensures that all ends well. Also enters Anu (Mallika Kapoor) in his life.

The soundtrack was composed by Bharadwaj.

Rediff gave the film two out of five stars and noted that "Solla Solla Inikkum has good principles and starts out meaning well and were it not for the dull and clichéd presentation, might have actually stood a chance of clicking with its audience".^[3] Behindwoods gave the film a rating of one-and-a-half out of five stars and wrote that "Everything including the production values and the performances look plastic in the movie announcing the hollowness of the script and the banality of the screenplay. Arthur Wilson’s camera comes as a saving grace while [Bharadwaj's] music is just earsplitting".^[4]