Swing Lo Magellan is the sixth studio album by American experimental rock group Dirty Projectors, which was released on Domino Records on July 10, 2012 in the United States and July 9, 2012 internationally.^[1]

Swing Lo Magellan's first single, "Gun Has No Trigger", was released on March 30, 2012 and was selected as a Best New Track by Pitchfork Media on April 2.^[8] On June 8, 2012, a music video for "Gun Has No Trigger" was released. The music video was visually influenced by Apple Inc.'s iPod commercials and by the default profile images used on Facebook and Gmail.^[9] On June 14, 2012, a second song from the album, "Dance for You," was released online.^[10] Swing Lo Magellan was streamed in its entirety on July 2, 2012.^[5]

A film featuring music from Swing Lo Magellan, titled Hi Custodian, was released on September 7, 2012.^[11] The film, which features band members inhabiting a variety of characters in a surreal narrative about spiritual death and rebirth, was directed by Longstreth and was influenced by Runaway and Purple Rain.^[12]

The album peaked at #22 on the Billboard 200 and #2 on the Independent Albums chart.^[13]

More information Aggregate scores, Source ...

Professional ratings

Aggregate scores
Source	Rating
AnyDecentMusic?	8.0/10[14]
Metacritic	80/100[15]
Review scores
Source	Rating
AllMusic	[16]
The A.V. Club	A−[17]
Entertainment Weekly	B[18]
The Guardian	[19]
The Independent	[20]
Los Angeles Times	[21]
NME	7/10[22]
Pitchfork	8.8/10[23]
Rolling Stone	[24]
Spin	9/10[25]

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Swing Lo Magellan received general acclaim from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 80, based on 41 reviews, indicating "Generally favorable reviews".^[15]

Spin's Dan Weiss called Swing Lo Magellan "The Dirty Projectors' best album by a mile," describing the album as "[..] all magnificent wobble, no collapse." Weiss also praised the female vocals, writing "[..] the female singers [..] buttress Longstreth, rather than rescuing him from the car wreck of his own voice."^[25] Chris Mincher of The A.V. Club gave the album a grade of A−, writing "But where Longstreth’s quirks have often felt carefully calculated, here they come off as spontaneous improvisations or even mistakes. This relaxed, informal execution makes Swing Lo Magellan seem vulnerable, imperfect, and earnestly human. By easing off on all the wizardry—as impressive as it is—Longstreth creates room to actually feel something."^[17] Pitchfork's Grayson Currin gave the album a Best New Music designation, writing "The band's least ornate batch of songs to date builds upon Longstreth's most direct and identifiable lyrics ever. Which means that Dirty Projectors have upped their emotional and structural accessibility all at once."^[23] Alex Niven of The Quietus described the album as "strikingly warm, organic, and intricately drawn" and noted the "basic primal glee in encountering Longstreth's psychedelic neologisms as they crop up".^[26] Thomas May of musicOMH also praised the album, writing "Swing Lo Magellan affords generous breathing space to Dirty Projectors' music: a context in which new levels of unpretentious eloquence positively flourish."^[27]

Not all critics were entirely positive towards the album. Entertainment Weekly's Darren Franich wrote "It [Swing Lo Magellan] should be thrillingly anarchic; instead, it just meanders."^[18] Aneet Nijjar of AllMusic acknowledged that some listeners might find the band's "rather knowing idiosyncrasy" to be "off-putting and smug."^[16] Blurt wrote that while Swing Lo Magellan was "instantly likeable," the album "unravels into nonsense and complexity on second glance."^[28] Alex Wilson of Tiny Mix Tapes did not find the album engaging and criticized the music's inability to match the ideas behind the album. Wilson concluded: "Simply put, the music on Swing Lo can’t support its great ideas. [..] Maybe time will prove me completely and utterly wrong, but as far as I can tell, nothing on Swing Lo walks by itself."^[29]