The Tribe (Ukrainian: Плем'я, Plemya) is a 2014 Ukrainian crime drama film written and directed by Myroslav Slaboshpytskiy. Starring Hryhoriy Fesenko, Yana Novikova and Roza Babiy, the film is set in a boarding school for deaf teenage students, where a novice scholar is drawn into an institutional system of organized crime involving robbery and prostitution. He crosses a dangerous line when he falls for one of the girls to whom he's assigned to pimp. The film is entirely in Ukrainian Sign Language and was the first Ukrainian film to be released in many countries around the world.^[5]

The Tribe won the Nespresso Grand Prize, as well as the France 4 Visionary Award, and the Gan Foundation Support for Distribution Award in the Critics' Week at the 2014 Cannes Film Festival.^[6][7][8]

Considered the frontrunner to represent Ukraine for the Academy Award for Best Foreign Language Film at the 87th Academy Awards,^[9][10][11] there was controversy over alleged conflict of interest during the voting process after the drama The Guide was chosen instead.^[10]

A teenage boy, Serhiy, arrives at a boarding school for the deaf. There he tries to find his place in the hierarchy of the academic community, which operates like a Gang ruled by the King of the group. Their squad participates in acts of violence, robbery, sex and prostitution.^[12] When one of the boys who helps in pimping two girls from the school gets crushed by a truck, Serhiy takes his place. He falls in love with one of the girls, Anya, whom he impregnates. Serhiy finds a purse on a train which he steals, giving the money to Anya for a makeshift abortion. Some time later, Serhiy follows one of the teachers home, knocks him unconscious, and robs him, giving the substantial sum to Anya and then raping her. One of the gangmasters prepare to send the two girls to Italy, but Serhiy ruins Anya's passport and is eventually beaten by King and his gang. Serhiy later retaliates by crushing their heads with their nightstands in their sleep.

• Hryhoriy Fesenko as Serhiy
• Yana Novikova as Anya
• Roza Babiy as Svetka
• Oleksandr Dsiadevych as Gera
• Ivan Tishko as Makar
• Oleksandr Osadchyi as King
• Oleksandr Sydelnykov as Shnyr
• Oleksandr Panivan as Woodwork Teacher
• Kyrylo Koshek as Sponsor
• Maryna Panivan as Nora
• Tetiana Radchenko as Principal
• Liudmyla Rudenko as History Teacher
• Yaroslav Biletskiy
• Sasha Rusakov
• Denys Hruba
• Dania Bykobiy
• Lenia Pisanenko

The Tribe premiered at the Cannes Film Festival on 21 May 2014 in Cannes, France, where it opened in the oldest parallel section of the festival, Critics' Week, "blowing away" critics and audiences alike,^[13][14] before screening at the Locarno International Film Festival as a special screening for the Jury on 12 August,^[15] the Sarajevo Film Festival as the part of the Kinoscope section on 19 August,^[16] opening the Toronto International Film Festival on 9 September as part of the Discovery section,^[12] the London Film Festival on 15 October,^[17] and the Denver International Film Festival on 15 November 2014.^[18]

The Tribe received acclaim from critics, audiences and at festivals all over the world. Film review aggregator Rotten Tomatoes reports an 88% rating, based on 132 critics’ reviews with an average score of 7.66/10, and with the consensus "A bleak, haunting drama whose wordless dialogue speaks volumes, The Tribe is a bold, innovative take on silent films for a contemporary audience."^[34] Metacritic, another review aggregator, assigned the film a weighted average score of 78 (out of 100) based on 27 reviews from mainstream critics.^[35]

Peter Bradshaw of The Guardian scored the piece four out of five, writing, "I can't stop thinking about it." while too praising Slaboshpytskiy's ability to "[draw] on Samuel Beckett or Peter Brook to create a universal language of anxiety", while concluding the sentiment, "What an intriguing film".^[36] Leslie Felperin of The Hollywood Reporter praised the piece, stating, "The use of sign language, deafness and silence itself adds several heady new ingredients to the base material, alchemically creating something rich, strange and very original." He also admired the film's "silky smooth steadicam" cinematography of Vasyanovych. As well as comparing the language of gestures and body posture as "akin to watching a ballet like Coppélia or The Nutcracker".^[37]

Justin Chang of Variety heralded the film and its director, Myroslav Slaboshpytskiy, by stating: "Actions, emotions and desperate impulses speak far louder than words in The Tribe, a formally audacious coup de cinema that marks a stunning writing-directing debut for Ukrainian filmmaker [Slaboshpytskiy]." Chang was most praiseworthy of Vasyanovych's cinematography, Stepanskiy's sound design as "vividly detailed" and described Odudenko's production designs as "harshly lit corridors and graffiti-strewn exteriors". He also admired Novikova's "fire and vulnerability" as Anya.^[1]

Jonathan Romney of Film Comment granted the piece high acclaim, "[...] it was a thrill to discover something so bold, innovative, and downright wayward", adding that it was "a magnificent example of long-take cinema", and calling it "an astonishing film". He continued by praising Slaboshpytskiy's risky endeavour, to which he "follows through with intrepidity and absolute rigor" as well as Vasyanovych's "precise compositions". Romney further adds, "The Tribe, in short, was the most surprising, most inventive, and in many ways most disturbing film I've seen in Cannes this year."^[38] He later named the film among the best movies of 2014.^[32]

Eric Kohn of indieWIRE gave the film an "A−" rating, adding, "While the specifics remain uncertain, it's never particularly difficult to keep up with the movie's pace, since their actions speak plainly enough -- and sometimes add far more expressiveness than any verbal exchanges could provide." Praising Slaboshpytskiy and Vasyanovych's usage of the steadicam approach, "capturing the actors' exchanges in their full-bodied entirety"; and Slaboshpytskiy as "brilliantly [developing] a suspenseful core through the mysteries of their conversations". He admired Grigory Fesenko's "body movements" and "precise details" through gestures.^[21]

Fred Topel wrote, in his review for CraveOnline, "The piece de resistance is a taboo subject that unfolds in an elaborate single take. It was so harrowing I would have applauded if it would not have been completely inappropriate for the subject matter to do so." Topel praised the cast as "made up of non actors but you wouldn't suspect that" adding, "They are full of life and energy" ^[39]

Jessica Kiang of The Playlist gave the film an "A−" rating and wrote, "It might sound glib, but it's the literal truth: "The Tribe" left us speechless."^[40]

Electric Sheep Magazine's Greg Klymkiw granted the film a score of five out of five, stating "A sad, shocking and undeniably harrowing dramatic reflection of Ukraine with the searing truthful lens of a stylistic documentary treatment (at times similar to that of Austrian auteur Ulrich Seidl)". He continues by commending that, "Visuals and actions are what drive the film and ultimately prove to be far more powerful than words ever could be."^[41] Luke Y. Thompson of Topless Robot spoke most highly of the film, declaring, "Compelling, upsetting, brutal and brilliant, The Tribe is one of the best works of cinema of the year - a familiar template recreated in what, for most, will be an entirely new world." Too adding, "[...] this is a movie that will and should be used in cinema schools as a master class in how film is a visual medium."^[42]

• List of films featuring the deaf and hard of hearing
• List of the 100 best films in the history of Ukrainian cinema