Venus with a Mirror (c. 1555) is a painting by Titian, now in the National Gallery of Art in Washington, DC, and it is considered to be one of the collection's highlights.[1]
The pose of the Venus resembles the classical statues of the Venus de' Medici in Florence or the Capitoline Venus in Rome, which Titian may have seen when he wrote that was "learning from the marvelous ancient stones." The painting is said to celebrate the ideal beauty of the female form, or to be a critique of vanity, or perhaps both.[2] It was copied by several later artists, including Peter Paul Rubens and Anthony van Dyck.[3]
Titian made a number of paintings of the same subject, but this is believed to be the earliest and the only version to be entirely by the hand of Titian, without additions by his assistants. It remained in his house until his death in 1576.[3]
Painting, and versions
X-rays of the painting have revealed that Titian painted it over a double portrait which he had abandoned. Titian kept the red cloak of one of the figures in the abandoned painting and placed it under Venus's arm.[4] The use of the cloak from the earlier painting probably played a large part in the composition of the new painting.[3]
Titian is believed to have made another version of this Venus for the Venetian lawyer Niccolo Crasso, who also commissioned Titian to paint the Retable of Saint Nicholas de Bari at about the same time. A drawing of the other version was included by Anthony van Dyck in the sketchbook made during his trip to Italy. This other version is now lost, but a studio copy exists in the Hermitage Museum.[3]
Titian is thought to have made a second copy, which was sent to his regular patron King Philip II of Spain, in 1567. This version was also lost, but a copy of it by Peter Paul Rubens exists, which is in the Thyssen-Bornemisza Museum in Madrid.
Other versions
Studio version still in the Hermitage, originally from the collection of Empress Josephine, Malmaison
Version in the Wallraf-Richartz-Museum, Cologne
Version in the Gemäldegalerie Alte Meister, Dresden
Version in the UK Royal collection since the 1720s
Venus at her Toilet by Peter Paul Rubens, about 1608. This is believed to be a copy Rubens made of the Titian commissioned by Philip II of Spain
Version without Cupid or the Mirror, Galleria Franchetti, Venice
Venus with a Mirror (sketch)
Provenance
In 1581, five years after Titian's death, the contents of his house in Venice, including the Venus with a Mirror, were sold by his son and heir Pomponio Vechellio to Christoforo Barbarigo. In 1850 the Russian Consul-General in Venice, A. Kvostov, purchased the painting, along with a large number of other masterpieces, from the Barbarigo family, for Czar Nicholas I for the sum of 525,000 francs, and it entered the collection of the Hermitage Museum in Saint Petersburg.[5]
The pose of the painting may have been influenced by Ancient Greek and Roman statues of Venus Titian could have seen in Rome and Florence. He was also influenced by his teacher Giovanni Bellini, who was the leader of the Venetian school of painters, known for their masterful use of color.
Venus at a Mirror by Peter Paul Rubens (1615). Rubens adapted the theme to his own style.
The Rokeby Venus by Diego Velázquez. (1599–1660). Completed between 1647 and 1651. Velazquez would have seen a copy of Titian's Venus with a Mirror which was commissioned by King Philip II of Spain.
Simon Vouet, The Toilet of Venus, about 1628. Simon Vouet lived in Italy from 1613 to 1627, and was certainly familiar with the work of Titian. He imported the Italian style into France.
Humfrey, Peter (2007), Titien, Tout l'oeuvre peint, Ludion, 2007, ISBN978-90-5544-689-6
Nicholas Ilyin and Natalia Semonova, (2000), Prodanniy Sokrovischye Rossiyi, Trilisnik Publishers, Moscow, ISBN5-89480-027-7
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