Wake Up and Smell the Coffee is the fifth studio album by Irish alternative rock^[8] band The Cranberries, and their last before their six-year hiatus. Released on 22 October 2001, the album sold 170,000 copies in the US by April 2007.^[9] Worldwide, the album had sold 1,300,000 copies by 2002.^[10]

Quick Facts Wake Up and Smell the Coffee, Studio album by The Cranberries ...

Wake Up and Smell the Coffee
International cover. The UK special edition uses a similar, brighter image
Studio album by The Cranberries
Released	22 October 2001
Recorded	2000–2001
Studio	Windmill Lane Studios (Dublin)
Genre	Pop rock alternative rock
Length	44:23
Label	MCA
Producer	Stephen Street
The Cranberries chronology
Bury the Hatchet (1999) Wake Up and Smell the Coffee (2001) Treasure Box – The Complete Sessions 1991–1999 (2002)
Singles from Wake Up and Smell the Coffee
"Analyse" Released: 27 August 2001[1] "Time Is Ticking Out" Released: 12 March 2002 "This Is the Day" Released: 16 July 2002

Close

More information Aggregate scores, Source ...

Professional ratings

Aggregate scores
Source	Rating
Metacritic	62/100[2]
Review scores
Source	Rating
AllMusic	[3]
Alternative Press	[2]
Blender	[4]
E! Online	C+[5]
Entertainment Weekly	C−[6]
Q	[2]
Slant Magazine	[7]

Close

This marks the band's only album on MCA Records. They were transferred to MCA after the merger of PolyGram (which owned their previous label, Island Records) with MCA's parent Universal Music Group in 1999.

While the album did not initially receive a vinyl release, on 16 February 2023, it was announced that the album would receive a limited vinyl issue for Record Store Day on 22 April 2023.^[11][12]

Several different covers exist for the album, with the most widely distributed being a man lying in a bed on the beach with gym balls moving towards him. Later European editions, namely the UK special edition, use a similar, brighter shot taken at a different time of day with a slightly different number of gym balls. The American version of the album uses a shot of the clustered gym balls as the main cover art, with the man in bed on the reverse side of the image (the other side of the booklet). The Japanese edition also uses a shot of the gym balls, but bouncing on a grass field instead of the beach.

Designer Storm Thorgerson, who also designed the cover of their previous album, Bury the Hatchet,^[10] said: "The idea of red balls came from granules of coffee percolating the atmosphere, settling in your nose and waking you up. These became red (cranberries) and then enlarged to gym balls to satisfy our rampant egos. The location changed from an interior to an open space. Because this idea was preposterous, it needed testing before we did the proper thing on a beach in Somerset. The test... was done on a small grass aerodrome near London."^[13]

The version of the artwork featuring a man in bed on the beach is similar in concept to another Thorgerson creation, Pink Floyd's A Momentary Lapse of Reason. Thorgerson's anomalous red balls recall another of his earlier album covers, Elegy by The Nice (1970).

At review aggregator Metacritic, the album received a score of 62 out of 100 based on nine critics' reviews, indicating "generally favorable" reception.^[2] Stephen Thomas Erlewine of AllMusic called the album "as reminiscent of their debut as anything they've done since" as well as "melodic, stately, and somber [...] with a dogged sense of decorum that keeps not just the group's musical excesses in check, but also O'Riordan's political polemics", although found there to be nothing that "really result[s] in a record that will restore the Cranberries to the status they enjoyed in the early '90s".^[3]

John Aizlewood of Blender described Wake Up and Smell the Coffee as "the set of inspired anthems they needed to deliver in '96—all tremulous vocals from Dolores O'Riordan [...] and encouraging lyrics [...] It may be too late, but it's not too little."^[4] Alternative Press found it to be a "slight improvement" on Bury the Hatchet (1999),^[2] and Q felt it was "Charming, if slight".^[2] Sal Cinequemani of Slant Magazine wrote that the album "sticks to what the Cranberries do best: constructing the radio-friendliest of pop alternatives", but concluded that "Dolores and company fall a bit short of the emotive and atmospheric heights" of their "creative (and commercial) zenith", No Need to Argue (1994).^[7]

E! commented that "the band sounds strong but derivative of its own best work", going on to say that "O'Riordan's voice aims for spiritual passion but sometimes, as in the title track, becomes a chafing bray" and that it "may please old fans".^[5] Chris Willman of Entertainment Weekly wrote: "It's official: Dolores O'Riordan is rock's most vapid lyricist", quoting O'Riordan's couplets "Birds in the sky/They look so high" from "Never Grow Old" and "Looks like we've screwed up the ozone layer/I wonder if the politicians cay-ay-are" from "Time Is Ticking Out" as examples. Willman found positives to be the return of "original producer Stephen Street", who makes "a few tracks into palatable ear candy, and O'Riordan ha[ving] traded stridency for softer tones".^[6]

The Cranberries

• Dolores O'Riordan – vocals, guitars, keyboards
• Noel Hogan – electric and acoustic guitars
• Mike Hogan – bass guitar
• Fergal Lawler – drums, percussion