Worcester_Festival_Choral_Society

Worcester Festival Choral Society

Worcester Festival Choral Society

Choral singing in Worcester


Worcester Festival Choral Society (WFCS) is an independent, SATB (soprano, alto, tenor, bass) choir of around 150 amateur singers that presents classical choral concerts at Worcester Cathedral, Worcester. The conductor is Samuel Hudson (Worcester Cathedral’s Director of Music)[1] and the accompanist is Nicholas Freestone (Worcester Cathedral’s Assistant Director of Music).[1] The Chairman is Susan White. The President is The Lord Bishop of Worcester and Senior Vice President is The Dean of Worcester.[2]

Quick Facts Origin, Founded ...

Choir

Worcester Festival Choral Society was founded in 1861 and has performed classical choral music in the City of Worcester ever since.[3] Initially staging its concerts in Worcester’s former Music Hall (later known as the Public Hall; now demolished), [3] most of the Society’s concerts since 1930 have taken place in Worcester Cathedral.[4][5][6] To date the Society performed more than 350 concerts. It has also staged several choral premieres, been recorded, performed in other UK cities and hosted conductors such as Sir Edward Elgar.[2]

The Society’s current concert orchestra is the Meridian Sinfonia, which has played at WFCS concerts since 2013. Each concert is also supported by professional soloists.[7]

Directors of Music

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History

Worcester Festival Choral Society was first established in 1861. Its aims were to cultivate choral music, and to provide singers to the Three Choirs Festival Chorus. These aims are still part of its objectives today. [5]

The Society had close links with composer Sir Edward Elgar in the 1890s. At that time Elgar, who lived in Worcester, was a musician and not yet famous for composing music. Worcester Festival Choral Society had its own informal orchestral Band, and in the 1890s violinist Elgar became its leader. Several other musician members of his family also played in the WFCS Band. [5] [6]As Elgar’s reputation grew, WFCS performed several of his choral works at its concerts, conducted by the composer. Elgar also wrote two choral works that were given their world premiere by Worcester Festival Choral Society, which he also conducted: The Black Knight (1892)[31] and Scenes from the Bavarian Highlands (1895) [32] [3]. Two WFCS conductors of that era were also close friends of Edward Elgar, [33][8][34][35] and have music dedicated to them: his cantata The Black Knight was dedicated to Hugh Blair;[36] and the Third Pomp and Circumstance March (1904) was dedicated to Ivor Atkins. [4][5]. Other composers and conductors to have guest-conducted Worcester Festival Choral Society concerts over its history include Hubert Parry, Samuel Coleridge-Taylor, Walford Davies, Charles Villiers Stanford, Vernon Handley, Jonathan Willcocks and Sir Adrian Boult. [5]

Worcester Festival Choral Society presents choral works written for SATB chorus, orchestra and soloists. Amongst the more traditional works performed are requiems, masses and oratorios by composers such as Mozart, Bach, Verdi, Haydn, Handel and Brahms. The choir also performs many late 19th/early 20th century choral pieces by composers such as Elgar, Vaughan Williams, Poulenc, Fauré and Britten; and later works by living composers including Morten Lauridsen, Jonathan Willcocks and Jonathan Dove.[37]

In addition to its own concerts, Worcester Festival Choral Society’s appearances around the UK have included the King's Lynn festival[38] and two Elgar Festivals at the Royal Albert Hall in the 1970s; Elgar concerts at Birmingham’s Symphony Hall with the BBC Singers and Chorus in the early 1990s; and a performance of Britten's War Requiem at Symphony Hall with the CBSO and City of Birmingham Chorus in 2004. Many of its singers also took part in a Three Choirs Festival 300th anniversary performance that was given to The Prince of Wales at Buckingham Palace in 2015.[39] The following year, one of WFCS’s past Directors of Music, Sir David Willcocks, died. As a tribute, Worcester Festival Choral Society joined Worcester Cathedral Choir to create a music CD featuring many of the Christmas carol arrangements for which David Willcocks was famous, and it briefly entered the UK’s classical music charts. [40]

The Society has commissioned two pieces from its conductors: A Song of Celebration composed by Dr Donald Hunt in 1995 (marking English Music Year); and Creation Canticles, by Adrian Lucas, in 2004.[citation needed]

For its 150th season in 2011, the Worcester Festival Choral Society performed Belshazzar’s Feast by Walton held a black tie dinner in Worcester’s Guildhall, which the four living Directors of Music (Sir David Willcocks, Dr Christopher Robinson, Dr Donald Hunt and Adrian Lucas) attended. [6]

Performances

Premieres

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Music conducted or attended by the composer

[2]

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[2]

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References

  1. "Worcestershire Organists' Association". Retrieved 8 February 2022.
  2. Whitefoot, Michelle (2020). A Choral Chronicle. Whitefoot PR Ltd. ISBN 978-1-5272-7786-1.
  3. Bird, Martin, Music in Worcester 1860-1890 (PDF), Elgar Society, retrieved 21 August 2022
  4. Smith, Richard. "The Elgar Society Journal" (PDF). The Elgar Society Journal. 18 (5): 7. Retrieved 21 August 2022.
  5. Parsons, Mary (1996). A prevailing Passion. Osborne Heritage. ISBN 1-872962-95-5.
  6. Pryce, Michael (21 February 2022). "160 Years of Passion from Choral Society". Worcester News.
  7. Boden, Anthony; Hedley, Paul (17 June 2017). The Three Choirs Festival: A History. Boydell & Brewer. pp. 158–160. ISBN 978-1783272099.
  8. Morrison, David (19 August 2021). "William Done – a Victorian Cathedral Organist". Worcester Cathedral Library. Retrieved 13 February 2022.
  9. "Obituary: William Done". The Musical Times and Singing Class Circular. 36 (631): 620. 1895. JSTOR 3361330. Retrieved 25 February 2022.
  10. Allen, Kevin (2019). Worcester's Forgotten Organist. Kevin Allen, Hampshire. ISBN 978-0-9531227-7-6.
  11. "Worcester News". 27 November 2021. Retrieved 5 February 2022.
  12. Quinn, John. "review of Hugh Blair: Worcester's Forgotten Organist". Retrieved 8 February 2022.
  13. "Obituary: Hugh Blair". The Musical Times. 73 (1075): 848. 1932. JSTOR 919838. Retrieved 25 February 2022.
  14. Atkins, E. Wulstan (1984). The Elgar-Atkins Friendship. David & Charles. ISBN 0-7153-8583-6.
  15. "Ivor Atkins (Composer, Arranger)". Bach Cantatas Website. Retrieved 10 February 2022.
  16. "Honour to Sir Ivor Atkins". The Musical Times. 88 (1257): 361. 1947. JSTOR 933147. Retrieved 25 February 2022.
  17. "Daily Telegraph". 17 September 2015. Retrieved 5 February 2022.
  18. Memorial (11 February 1997). "The Times". No. 65810.
  19. Pope, Michael (March 1997). "DR DOUGLAS GUEST C.V.O". Elgar Society. 10 (1): 31–32. Retrieved 23 August 2022.
  20. "Malvern Gazette". 20 March 2012.
  21. Lindley, Dr Simon (17 August 2018). "Church Times". Retrieved 6 February 2022.
  22. "Donald Frederick Hunt. OBE". Recorded Church Music. Retrieved 12 February 2022.
  23. "Adrian picks up the baton for last time". Worcester News. 12 March 2012. Retrieved 10 February 2022.
  24. "Classical events". 17 March 2018. Retrieved 8 February 2022.
  25. "Remember the Queen's coronation". Ledbury Reporter. 15 March 2013. Retrieved 9 February 2022.
  26. George, Rob (5 April 2018). "Worcester Observer". Retrieved 8 February 2022.
  27. "The Annual WOA Recital – Christopher Allsop". Worcester Organists Association. Retrieved 22 February 2022.
  28. Pound, Jeremy. "Let's sing for Christmas". BBC Music Magazine (Dec 2021).
  29. Hudson, Samuel. "Meet the Team". Three Choirs Festival. Three Choirs Festival Ltd. Retrieved 17 August 2022.
  30. Smith, Richard. "The Elgar Society Journal" (PDF). The Elgar Society Journal. 18 (5): 4–20. Retrieved 21 August 2022.
  31. Sadie, Stanley (2001). The New Grove Dictionary of Music and Musicians. New York : Grove. pp. Vol 28 under Worcester. ISBN 0-333-60800-3.
  32. "Some of Elgar's Friends". The Musical Times. 75 (1094): 319–320. 1934. doi:10.2307/918850. JSTOR 918850. Retrieved 25 February 2022.
  33. Allen, Kevin. "The Elgar Society Journal Vol. 21, No. 4 April 2019". The Elgar Society. Retrieved 8 September 2022.
  34. Shiel, Alison I. "The Elgar Society Journal Vol 13, No. 5 April 2014" (PDF). The ElgarSociety. Retrieved 21 August 2022.
  35. "Hugh Blair (1864 – 1932)". Rousseau Media Music. 18 April 2017. Retrieved 21 February 2022.
  36. 24 July-1 August 1981: King's Lynn Festival (brochure).
  37. "Hereford Times". 1 December 2015. Retrieved 5 February 2022.
  38. Whitehead, Steven. "A Tribute To Sir David Willcocks". Cross Rhythms. Retrieved 22 February 2022.
  39. "The Early Cantatas". ELGAR COMPLETE EDITION. The Elgar Society. Retrieved 22 February 2022.
  40. "The Black Knight Opus 25" (PDF). The Elgar Society. Retrieved 21 August 2022.
  41. "From the Bavarian Highlands". ELGAR COMPLETE EDITION. The Elgar Society. Retrieved 22 February 2022.
  42. "From The Bavarian Highlands, op 27" (PDF). The Elgar Society. Retrieved 10 September 2022.
  43. MacDonald, Calum (1976). "The Black Tower". Tempo (118): 49–50. JSTOR 944239. Retrieved 8 March 2022.
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  46. "Archive of Previous Concerts" (PDF). WFCS Online. Worcester Festival Choral Society. Retrieved 10 September 2022.
  47. Allen, Kevin (2019). Worcester's Forgotten Organist. Kevin Allen, Hampshire. pp. 66–73. ISBN 978-0-9531227-7-6.
  48. "London and Provincial Notes". No. 45 219-223 Vol. 4. The Minim a musical magazine for everybody; Cheltenham. June 1897.
  49. "Music in Worcester". The Musical Times and Singing Class Circular. Musical Times Publications LTD. 41 (688): 408–409. 1900. JSTOR 3365606. Retrieved 27 February 2022.
  50. Allen, Kevin (14 September 2017). August Jaeger: Portrait of Nimrod. Routledge. p. 82. ISBN 978-1138732087. Retrieved 24 March 2022.
  51. Moore, Jerrold Northrop (1984). Edward Elgar, A Creative Life. Oxford University Press. ISBN 0-19-315447-1.
  52. "Worcester News". 8 September 1980. Retrieved 5 February 2022.
  53. Crochet, Dotted (1 November 1905). "Worcester Cathedral". Vol. 46, no. 753. The Musical Times. Retrieved 17 March 2022.
  54. Kennedy, Michael (18 March 2004). The life of Elgar. Cambridge University Press. p. 148. ISBN 0-521-00907-3.
  55. Morrison, David (11 May 2016). "Worcester Cathedral Library and Archive Blog". Worcester Cathedral Library. Retrieved 8 February 2022.
  56. Day, Edgar (1969). "Interpreting 'Gerontius': Personal Memories of Elgar in Rehearsal". The Musical Times. 110 (1516): 607–608. doi:10.2307/951754. JSTOR 951754. Retrieved 27 February 2022.
  57. "Choral Society Concert". Worcester News. 9 October 2014. Retrieved 10 September 2022.
  58. Cooper, Ben (1 September 2017). "Choral Chronicle". Worcester Festival Choral Society. Retrieved 10 September 2022.
  59. "The Elgar Society Newsletter" (PDF). The Elgar Society: 12. Retrieved 21 August 2022.
  60. "Worcester News". 4 April 2003. Retrieved 5 February 2022.
  61. "Music in Worcester". The Musical Times and Singing Class Circular. Musical Times Publications LTD. 41 (688): 408–409. 1900. JSTOR 3365606. Retrieved 27 February 2022.
  62. Listings (16 June 1980). "The Times". No. 60627.
  63. Loveland, Kenneth (4 June 1981). "The Times". No. 60945.
  64. Loveland, Kenneth (1981). "Reports". The Musical Times. 122 (1662): 548–553. doi:10.2307/964175. JSTOR 964175. Retrieved 27 February 2022.
  65. "City of Birmingham Choir concerts from 2002" (PDF). Retrieved 7 February 2022.

Further reading

  • Allen, Kevin. Hugh Blair: Worcester’s Forgotten Organist, (2019, self-published). ISBN 978-0-9531227-7-6
  • Boden, Anthony; Hedley, Paul (2017). The Three Choirs Festival: A History. Boydell & Brewer. ISBN 978-1783272099
  • Parsons, Mary. A Prevailing Passion, Osborne Books Ltd ISBN 9781872962955. 1996
  • Whitefoot, Michelle. A Choral Chronicle - The History of the Worcester Festival Choral Society, (2020, self-published). ISBN 978-1-5272-7786-1
  • Wulstan Atkins; Edward Elgar; Sir Ivor Atkins (26 April 1984). The Elgar-Atkins friendship. David & Charles. ISBN 978-0-7153-8583-8

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