Early work 1971-1981

Ferrara studied at the San Francisco Art Institute; one of his teachers and influences there was the famous avant-garde director Rosa von Praunheim.^[6] In the early 1970s, while still in art school, Ferrara directed a number of independently produced short films which included The Hold Up and Could This Be Love. Finding himself out of work after leaving film school in 1976, Ferrara directed his first feature film which was a pornographic film titled, 9 Lives of a Wet Pussy, using a pseudonym.^[7] Starring with his then-girlfriend, he recalled having to step in front of the camera for one scene to perform in a hardcore sex scene: "It's bad enough paying a guy $200 to fuck your girlfriend, then he can't get it up."^[8]

Ferrara first drew a cult following with his second feature film, an exploitation movie titled The Driller Killer (1979), an urban slasher film about an artist (played by the director himself) who goes on a killing spree with a power drill. In the United Kingdom, the movie made it on a list of "video nasties" created by moral crusaders that led to prosecutions under the Obscene Publications Act 1959 and to the passing of new legislation which forced all video releases to appear before the British Board of Film Classification for rating.^[9]

The director's next feature was Ms .45 (1981), a "rape revenge" movie about a mute garment worker turned murderer (Zoë Tamerlis). Reviewers called it "a provocative, disreputable movie, well worth seeing".^[10]

Rise to international fame 1984-1998

In 1984, Ferrara was hired to direct Fear City, starring Melanie Griffith, Billy Dee Williams, Rae Dawn Chong and María Conchita Alonso. When a "kung fu slasher" stalks and murders young women who work in a seedy Times Square strip club, a disgraced boxer portrayed by Tom Berenger uses his fighting skills to defeat the killer.^[11]

Ferrara worked on two Michael Mann-produced television series, directing the two-hour pilot for Crime Story (aired September 18, 1986), starring Dennis Farina,^[12] and two episodes of the series Miami Vice.^[13]

King of New York (1990) stars Christopher Walken as gangster Frank White, Laurence Fishburne, Wesley Snipes, David Caruso and Giancarlo Esposito. The movie received overall mixed reviews, but Ferrara was praised for his strong command of mood and style. Critic Roger Ebert wrote, "What Ferrara needs for his next film is a sound screenplay."^[14]

Bad Lieutenant (1992) credits Ferrara and actress Zoë Tamerlis, who plays the woman who helps the Lieutenant freebase heroin in the movie, as co-writers of the script, but Tamerlis claimed that she wrote it alone.^[15][16] Bad Lieutenant received Spirit Awards nominations for Best Director and Best Actor, and despite its controversial content, the movie was lauded by critics. Director Martin Scorsese named it one of his top 10 films of the 1990s.^[17]

In 1993, Ferrara was hired for two Hollywood studio movies: another remake of Invasion of the Body Snatchers, titled Body Snatchers (1993), for Warner Bros.; and Dangerous Game (1993), starring Keitel and Madonna, for MGM.

In the mid-1990s Ferrara directed two well-received independent movies: The Addiction (1995),^[18] photographed in black-and-white, stars Lili Taylor as a philosophy student who succumbs to a vampire as she studies the problem of evil and philosophical pedagogy, represented by the most violent events of the 20th century. The movie also features Christopher Walken, Annabella Sciorra, Edie Falco, Kathryn Erbe and Michael Imperioli. It was co-produced by Russell Simmons.

The Funeral (1996),^[19] starring Walken, Sciorra, Chris Penn, Isabella Rossellini, Benicio del Toro, Vincent Gallo and Gretchen Mol, was nominated for five Independent Spirit Awards including Best Director.

Following the success of The Funeral, Ferrara had an infamous interview with Conan O'Brien on October 23, 1996. Ferrara was believed to be intoxicated and struggled through the interview, often slurring and covering his face as well as waving around a cigarette. O'Brien would later state that Ferrara was his "worst guest ever".^[20] Eventually, O'Brien revealed to Ferrara's frequent collaborator Willem Dafoe that Ferrara "ran away" and that the segment producer had to "run down the street" to catch him and bring him back to the set. Dafoe said to O'Brien, "You did your best...and so did he!"

After making The Blackout (1997) with Matthew Modine and Dennis Hopper, he contributed to the omnibus television movie Subway Stories. Ferrara then made New Rose Hotel (1998), which reunited him with Christopher Walken.

Move to Europe 2001 - present

Ferrara returned three years later with 'R Xmas (2001), which starred Drea de Matteo and Ice-T. He recorded commentaries for Driller Killer^[21] and King of New York^[22] and made Mary (2005), a religious-themed multi-plot movie starring Juliette Binoche, Matthew Modine, Forest Whitaker, Heather Graham, Marion Cotillard, and Stefania Rocca. Mary premiered at the Venice Film Festival in 2005. It swept the awards ceremony, garnering the Grand Jury Prize, SIGNIS Award and two others. It was shown at the Toronto International Film Festival.^[23]

In 2007, Ferrara directed Go Go Tales a comedy with Modine, Bob Hoskins and Willem Dafoe that premiered at the Cannes Film Festival but was not shown in the United States until a special screening at the Anthology Film Archives in 2011.^[24]

In 2009, Jekyll and Hyde was set to star Forest Whitaker and 50 Cent. After disagreements with Warner Bros., the movie was shelved in 2010.^[25]

In 2009, Napoli, Napoli, Napoli premiered out of competition at the 66th Venice International Film Festival.^[26] The docudrama received little attention and poor reviews but Werner Herzog's reboot Bad Lieutenant: Port of Call New Orleans was selected for competition at the prestigious festival. Asked about the Herzog film, Ferrara was quoted widely saying "I wish these people die in hell".^[27]

In September 2011, 4:44 Last Day on Earth, starring Willem Dafoe and Shanyn Leigh, premiered at the main competition of the 68th Venice International Film Festival.^[28]

Ferrara's Welcome to New York, a fictionalized version of the Dominique Strauss-Kahn sexual assault case starring Gérard Depardieu and Jacqueline Bisset, was released on video on demand in 2014.^[29][30] Ferrara's Pasolini (2014) about the titular Italian director stars Willem Dafoe.^[31]

After a 4-year long hiatus, Ferrara came back in 2019 with Tommaso, a new feature starring Dafoe and set in Rome. The film had its world premiere at the 72nd Cannes Film Festival on 20 May 2019. It was released in the United States by Kino Lorber.

The following year, with Siberia (2020), Ferrara and Dafoe collaborated for the sixth time. Inspired by Carl Jung's The Red Book, the script was written by Ferrara and Chris Zois.^[32][33] The film had its world premiere at the main competition of the 70th Berlin International Film Festival, on 24 February 2020. It was released in the United States by Lionsgate in 2021. Shortly after Ferrara directed the documentary Sportin' Life, about the beginning of quarantine measures in Europe a few days after the Berlinale premiere of Siberia, during the start of the COVID-19 pandemic.^[34] The documentary had its world premiere at the 77th Venice Film Festival on 4 September 2020.

Since 2020 he has interpreted Gabriele Tinti's poetry giving voice to the masterpieces in the Galleria Nazionale d'Arte Antica, Pinacoteca di Brera, Museo Nazionale di San Marco, Ca' d'Oro, Musée Jacquemart-André and Museo Nazionale Romano^[35][36]

In August 2021, Zeros and Ones, starring Ethan Hawke, had its world premiere at the main competition of the 74th Locarno Film Festival, during the festival Ferrara won the Best Direction Award.^[37] The film was released in limited theaters and on demand by Lionsgate on November 19, 2021.

In 2022, Ferrara's Padre Pio, starring Shia LaBeouf and Asia Argento, premiered at the "Giornate degli Autori" section of the 79th Venice Film Festival on September 2, 2022. The film was released in the United States by Gravitas Ventures on June 2, 2023. During the film's production, LeBeouf notably converted to Catholicism.

Short film

Feature films

Acting roles

Documentary films

Television

TV movies

Music video