Organisation is the second studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 24 October 1980 by Dindisc. On Organisation the group worked with a producer for the first time, enlisting former Gong bass player Mike Howlett, while session musician Malcolm Holmes became the band's full-time drummer. The record is noted for its dark, melancholic tone in comparison to other OMD releases.

Organisation met with favourable reviews and provided OMD with their first top-10 album in the United Kingdom, where it peaked at number six on the UK Albums Chart. "Enola Gay" was the only single taken from the record, and was the group's fourth entry on the UK Singles Chart, reaching number eight. Organisation was remastered and re-released in 2003, with several bonus tracks.

OMD wrote the bulk of Organisation in June and July 1980. Dindisc requested a new studio album before Christmas; lead vocalist Andy McCluskey recalled, "We were too naive to disagree."^[1] Backing tracks were recorded at the band's Gramophone Suite in Liverpool. They later moved on to Ridge Farm in Rusper to record vocals and additional instrumentation, working with Mike Howlett (former bass player of Gong).^[1][2] This marked the first time the group had worked with a producer; keyboardist Paul Humphreys said, "We learned a lot from [Howlett]. We were young and didn't understand the recording process and he guided us and pushed us – he was sensitive to our more esoteric, experimental side."^[2] Additional recording was completed at Advision, London, and The Manor, Shipton-on-Cherwell.^[1][3]

Organisation features a darker, more melancholic tone than OMD's other work.^[4] The band had been Factory label-mates, and had played many gigs with Manchester group Joy Division, whose frontman Ian Curtis died by suicide during the writing of the album. OMD's compositions were influenced by Joy Division's moody sound, with "Statues" being partially inspired by Curtis himself;^[2][3] the record also drew from krautrock influences.^[4] McCluskey handled the majority of the songwriting, as Humphreys devoted more time to his relationship with California-based Maureen Udin.^[1] Malcolm Holmes, who had drummed for precursor outfit the Id and provided session musicianship for OMD (notably on "Julia's Song", from the group's debut studio album), was recruited as a full-time band member, replacing the TEAC tape recorder named "Winston".^[4][5]

Sole single "Enola Gay" had little in common with the downbeat feel of the rest of the record, despite its bleak subject matter.^[6] The song was written at the same time as the band's debut studio album, as was "Motion and Heart", which was considered as a second single.^[7] "The Misunderstanding" is a holdover from the Id.^[3] "The More I See You" is a cover of a song written by Mack Gordon and Harry Warren in 1945, and popularised by Chris Montez in 1966. The track began as an original composition, but McCluskey found himself singing the words to "The More I See You" over the song, which morphed into a cover version.^[3] OMD's arrangement is radically different from that of previous versions.^[8]

"Promise" features Humphreys' first lead vocal, and represents his first solo composition on an OMD album.^[3] "Stanlow" was written about the Stanlow Refinery in Ellesmere Port, Cheshire, where McCluskey's father and sister worked. OMD cherished the view of the refinery lit up at night, often observing it when returning from tours. McCluskey's father granted the band access to the site to sample sounds from the machinery; a diesel pump forms the rhythmic opening of "Stanlow".^[2][3] "VCL XI" was the name of McCluskey and Humphreys' short-lived, pre-OMD group, which itself was named after a valve on the back of Kraftwerk's 1975 album Radio-Activity album (the name of the valve is written "VCL 11" on the Radio-Activity sleeve).^[2][3] The record's title is a homage to the band Organisation, a precursor to Kraftwerk.^[9]

As with all of OMD's early album covers, the artwork was designed by Peter Saville Associates. It features a photograph by Richard Nutt of the cloud-covered peak of Marsco in the Red Cuillin mountains, on the Isle of Skye.^[10]

More information Review scores, Source ...

Professional ratings

Review scores
Source	Rating
AllMusic	[11]
Alternative Rock: The Best Musicians & Recordings	8/10[12]
The Big Issue	[13]
Future Music	7/10[14]
Q	[15]
Record Mirror	[16]
The Rolling Stone Album Guide	[17]
Sounds	[18]
Tom Hull – on the Web	A−[19]
Uncut	7/10[20]

Close

Organisation met with favourable reviews.^[21][22] Dave McCullough of Sounds awarded the album a full five stars, asserting, "[OMD] are a youth-mirror more valuable than any Street-Chic punk outfit I can imagine... warmer than your so-called 'warm' bands, your [Bruce] Springsteens and your [Graham] Parkers could ever be. They reflect the young horror of where and how we live but, in their songs at least, they face the problems with an irrepressible intuitive sense that makes the best pop of any time."^[18] Record Mirror's Daniela Soave said of the record, "Full of drama and numerous layers, it conjures up many images, so much so that it could almost be a film soundtrack... outstanding."^[16] Flexipop noted that Organisation sees "the best of all the electric bands come up with another winner".^[21]

In The Age, John Teerds wrote, "Much of the music is hook-laden and highly-memorable. Orchestral Manoeuvres... have a very distinctive sound which is hard to beat when you're looking for the best in a modern, electronic style."^[23] Lynden Barber of Melody Maker observed, "OMD have produced not so much a collection of songs as a pervading mood, a feeling of restlessness spiked by an unsettling edge that never allows the music to descend into complacency... a very healthy step forward."^[1] On the other hand, NME's Adrian Thrills felt Organisation inferior to the group's debut album, writing that "the more experimental stuff gently teases rather than confronts any radically new ground while the pop stuff... lacks the insistence of an 'Electricity' or 'Messages'."^[24]

In a retrospective article, Ryan Leas of Stereogum dubbed Organisation "one of the great albums from the early synth-pop era", on which OMD were "forging new sonic territory but also capturing the feeling of the times".^[4] Trouser Press wrote, "[Organisation] pays attention to ensure variation in the tunes... With nods to John Foxx and David Bowie, OMD overlays melodies to dramatic effect; the performances are excellent."^[25] Critic Dave Thompson praised the record's "smart lyrics, sharp songs... and genuinely innovative use of electronics",^[12] while AllMusic's Ned Raggett said it is "packed with a number of gems, showing [OMD]'s reach and ability continuing to increase".^[11]

Despite featuring one of OMD's most well-known hits in "Enola Gay", Organisation has been recognised as a "lost" classic, overshadowed by the band's subsequent albums and other music of the period.^[4][26] The record, and its cover art, have nevertheless been ranked among the best of 1980.^[27] Organisation has also been noted as influential, and a factor in the emergence of minimal wave music.^[28][29] When including 1981 follow-up Architecture & Morality in his 2023 list of "The 50 Greatest Synth-Pop Albums of All Time", Paste critic Matt Mitchell stated that Organisation and 1985's Crush – both excluded under a "one album per artist" rule – were "equally worthy".^[30]

Organisation and predecessor Orchestral Manoeuvres in the Dark were cited as influential by the electronic bands Depeche Mode and LCD Soundsystem.^[31][32] Porcupine Tree frontman Steven Wilson named Organisation as an inspiration and one of his "top 5 not-so-guilty pleasures of all time", saying, "It's not [OMD's] biggest record, but I think it's probably their best. It's got that Teutonic, Germanic kind of cold wave thing going on, which I've always been a sucker for."^[33] Elsewhere, Organisation has received endorsements from DJ/producer Paul van Dyk,^[34] composer Yann Tiersen,^[35] No Doubt bassist Tony Kanal,^[36] and the electronic artists Mike Paradinas and Public Service Broadcasting.^[37][38] Van Dyk and Tiersen cited it as the first album they ever acquired, with Van Dyk adding, "It was extremely influential. Early electronic, but also melodies and poppy elements, the general imprint of what later came for me in music."^[34][35]

Graphic designer and musician Brett Wickens, who co-founded the bands Spoons and Ceramic Hello, was affected by Organisation's marriage of artwork and music. He identified the record sleeve as the standout from OMD's catalogue, and said of the musical component, "It was extremely moving. I used to listen to it driving in the dark a lot."^[39] Physicist and musician Brian Cox wrote in 2018, "I eventually persuaded my parents to buy Organisation, an album of gentle darkness beneath clouded skies, which I fell in love with aged 12 and still love today."^[40] In an interview with BBC Radio 6 Music in April 2020, Britain's Poet Laureate, Simon Armitage, was asked to select a song from history for airplay: he chose Organisation's closing track, the near seven-minute "Stanlow".^[41]

Orchestral Manoeuvres in the Dark

• Paul Humphreys – synthesizers, electronic organ, electronic and acoustic piano, rhythm programming, acoustic and electronic percussion and vocals
• Andy McCluskey – synthesizer, bass guitar, electronic organ, treated acoustic piano, rhythm programming, acoustic and electronic percussion and vocals
• Malcolm Holmes – drums and percussion