Algernon_Talmage-The_Sulphur_Dip_for_Mange_(CWM_19710261-0692).jpeg

Summary

Algernon Talmage : The Sulphur Dip for Mange wikidata:Q95816349 reasonator:Q95816349
Artist
Algernon Talmage (1871–1939) wikidata:Q4724182
Algernon Talmage
Alternative names
Algernon Mayow Talmage; Algernon Mayon Talmage; Algernon M. Talmage
Description British painter
Date of birth/death 23 February 1871 Edit this at Wikidata 14 September 1939 Edit this at Wikidata
Location of birth/death Fifield London
Authority file
artist QS:P170,Q4724182
image of artwork listed in title parameter on this page
Title
The Sulphur Dip for Mange
Object type painting
object_type QS:P31,Q3305213
Date between 1917 and 1919
date QS:P571,+1917-00-00T00:00:00Z/8,P1319,+1917-00-00T00:00:00Z/9,P1326,+1919-00-00T00:00:00Z/9
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions height: 90 cm (35.4 in); width: 70.7 cm (27.8 in)
dimensions QS:P2048,90.0U174728
dimensions QS:P2049,70.7U174728
institution QS:P195,Q1032442
Current location
Beaverbrook Collection of War Art
Accession number
19710261-0692
Exhibition history Canadian War Memorials Exhibition , Canadian War Records Office, Anderson Galleries, New York, June 1919 - http://wartimecanada.ca/sites/default/files/documents/War%20Memorial.pdf
Inscriptions Recto, lower right, in brown paint: Talmage; in black paint: France; Verso, stamped on canvas: CANADIAN WAR MEMORIALS, OTTAWA; 824; same Canadian War Memorials stamp is on stretcher at upper left; on back of frame, upper left, same Canadian War Memorials stamp; stamped in mauve ink: 39; in black crayon: RGA, upper right, in black crayon: 824; 3/2; lower right, in white paint: 38; in black felt pen: Acc. 8833; lower centre, paper label: TELEPHONE (illegible) 7 WESTERN.; J.J. PATRICKSON,; PRACTICAL PICTURE FRAME MAKER,; CARVER and GILDER.; Frames of every description made to order,; OFFICES & SHOWROOMS; 108 CHURCH STREET,; CHELSEA, LONDON, S.W.; Workshops: 59, PARK WALK,CHELSEA.; (illegible) ECIALITY OLD STYLE
Notes
English: Veterinary units and over seven thousand horses sailed with Canada's First Contingent to England in October 1914. At its greatest strength, the Canadian Corps had more than 23,500 horses. Most of English artist Algernon Talmage's paintings were based on time spent near Quéant, on the Hindenburg Line, in 1918.
References https://www.warmuseum.ca/collections/artifact/1016043 Edit this at Wikidata
Source/Photographer https://www.warmuseum.ca/collections/artifact/1016043
Permission
( Reusing this file ) 		Work for the Canadian War Memorials Fund under the Canadian War Records Office, placing this work under crown copyright.

Licensing

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain in its source country for the following reason:
Public domain
This Canadian work is in the public domain in Canada because its copyright has expired due to one of the following:
1. it was subject to Crown copyright and was first published more than 50 years ago, or

it was not subject to Crown copyright, and

2. it is a photograph that was created prior to January 1, 1949, or
3. the creator died prior to January 1, 1972.

Note that this work might not be in the public domain in countries that do not apply the rule of the shorter term and have copyright terms longer than life of the author plus 50 years. In particular, Mexico is 100 years, Jamaica is 95 years, Colombia is 80 years, Guatemala and Samoa are 75 years, Switzerland and the United States are 70 years, and Venezuela is 60 years.

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It is also in the public domain in the United States for the following reason:
Public domain

The author died in 1939, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 80 years or fewer .

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office ) before January 1, 1929.

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The official position taken by the Wikimedia Foundation is that " faithful reproductions of two-dimensional public domain works of art are public domain ".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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