Eastman_Johnson_-_The_Nantucket_School_of_Philosophy_-_Walters_37311.jpg
Summary
Eastman Johnson : The Nantucket School of Philosophy | |||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Artist |
artist QS:P170,Q1278282
|
||||||||||||||||||||||||
Title |
The Nantucket School of Philosophy
|
||||||||||||||||||||||||
Object type | painting | ||||||||||||||||||||||||
Description |
English:
Like a number of his fellow genre painters, the Boston artist Eastman Johnson trained abroad in Düsseldorf and later at The Hague, where he became familiar with Dutch 17th-century art. Between 1870 and 1887, Johnson spent the summer and autumn months working in Nantucket. In this work, his last dated genre painting, a number of elderly men, seated around a stove in a cobbler's shop, reminisce about the past. Two years after the picture was completed, Johnson identified the philosophers: Captain Haggerty, the shoemaker; Captain Moore, the talker; and, on the left-hand side leaning on his hand, Captain Ray. The other captains, he noted, were already dead.
|
||||||||||||||||||||||||
Date |
1887
date QS:P571,+1887-00-00T00:00:00Z/9
|
||||||||||||||||||||||||
Medium | oil on panel medium QS:P186,Q296955;P186,Q106857709,P518,Q861259 | ||||||||||||||||||||||||
Dimensions |
height: 59 cm (23.2 in); width: 80.5 cm (31.6 in)
dimensions QS:P2048,59U174728
dimensions QS:P2049,80.5U174728
;
framed: 88.3 × 109.9 × 6.4 cm (34.7 × 43.2 × 2.5 in)
|
||||||||||||||||||||||||
Collection |
institution QS:P195,Q210081
|
||||||||||||||||||||||||
Accession number |
37.311
|
||||||||||||||||||||||||
Place of creation | France | ||||||||||||||||||||||||
Object history |
|
||||||||||||||||||||||||
Exhibition history | Revisiting the White City: American Art at the 1893 World's Fair. National Portrait Gallery, Smithsonian Institution, Washington. 1993. Eastman Johnson: Painting America. Brooklyn Museum, Brooklyn; San Diego Museum Of Art, San Diego; Seattle Art Museum, Seattle. 1999-2000. The American Artist as Painter and Draftsman. The Walters Art Museum, Baltimore. 2001. | ||||||||||||||||||||||||
Credit line | Acquired by Henry Walters, 1924 | ||||||||||||||||||||||||
Inscriptions | Signed and dated, lower right: E. Johnson 1887. | ||||||||||||||||||||||||
References | |||||||||||||||||||||||||
Source | Walters Art Museum : Home page Info about artwork | ||||||||||||||||||||||||
Permission
( Reusing this file ) |
|
Licensing
This file was provided to Wikimedia Commons by the
Walters Art Museum
as part of a
cooperation project
. All artworks in the photographs are in
public domain
due to age. The photographs of two-dimensional objects are also in the public domain. Photographs of three-dimensional objects and all descriptions have been released under the
Creative Commons
Attribution-Share Alike 3.0 Unported License
and the
GNU Free Documentation License
.
In the case of the text descriptions, copyright restrictions only apply to longer descriptions which cross the
threshold of originality
.
العربيَّة | English | français | italiano | македонски | русский | sicilianu | +/− |
This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the public domain for the following reason:
This digital reproduction has been released under the following licenses:
In many jurisdictions, faithful reproductions of two-dimensional public domain works of art are not copyrightable. The Wikimedia Foundation's position is that these works are not copyrightable in the United States (see Commons:Reuse of PD-Art photographs ). In these jurisdictions, this work is actually in the public domain and the requirements of the digital reproduction's license are not compulsory. |