Sarah_Spencer_(1787-1870),_wife_of_William,_3rd_Baron_Lyttelton_by_John_Jackson_(1778-1831).jpg
Size of this preview:
533 × 600 pixels
.
Other resolutions:
213 × 240 pixels
|
426 × 480 pixels
|
965 × 1,086 pixels
.
Summary
John Jackson : English: Portrait of Sarah Spencer (1787–1870), wife of William, 3rd Baron Lyttelton. ( ) | |||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Artist |
artist QS:P170,Q5390252
|
||||||||||||||||||||
Title |
English:
Portrait of Sarah Spencer (1787–1870), wife of William, 3rd Baron Lyttelton.
|
||||||||||||||||||||
Object type |
painting
object_type QS:P31,Q3305213
|
||||||||||||||||||||
Description |
English:
An oil-on-panel portrait of
Sarah Lyttelton, Baroness Lyttelton
(
née
Spencer) (1787–1870), a British courtier, governess to
Edward VII of the United Kingdom
and wife of
William Lyttelton, 3rd Baron Lyttelton
. She was the eldest daughter of the
Whig
politician
Sir George Spencer, 2nd Earl Spencer
. The painting is believed to be a study for a group portrait of Sarah Spencer, Lady Lyttelton and William Lyttelton presently at
Althorp
, the seat of the
Spencer family
.
|
||||||||||||||||||||
Date |
19
th
century
date QS:P571,+1850-00-00T00:00:00Z/7
.
|
||||||||||||||||||||
Medium |
oil
on
panel
medium QS:P186,Q296955;P186,Q106857709,P518,Q861259
.
|
||||||||||||||||||||
Dimensions | 11 × 9.5 in (27.9 × 24.1 cm). | ||||||||||||||||||||
Object history |
|
||||||||||||||||||||
References | [1] . | ||||||||||||||||||||
Source/Photographer | Christie's . | ||||||||||||||||||||
Other versions |
|
Licensing
This is a faithful photographic reproduction of a two-dimensional,
public domain
work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "
faithful reproductions of two-dimensional public domain works of art are public domain
".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |