The_Departure_of_William_of_Orange_and_Princess_Mary_for_Holland,_November_1677_RMG_BHC0322.tiff


Summary

Willem van de Velde the Younger : The Departure of William of Orange and Princess Mary for Holland, November 1677 wikidata:Q50866925 reasonator:Q50866925
Artist
Willem van de Velde the Younger (1633–1707) wikidata:Q432266
Willem van de Velde the Younger
Alternative names
Willem van de Velde , Willem Willemsz. van de Velde
Description Dutch-English painter and drawer
Date of birth/death 18 December 1633 (baptised) 6 April 1707 Edit this at Wikidata
Location of birth/death Leiden Greenwich
Work location
Amsterdam (1652-1656), London (ca. 1673-1707)
Authority file
creator QS:P170,Q432266
Edit this at Wikidata
Author
Willem van de Velde, the Younger
Title
The Departure of William of Orange and Princess Mary for Holland, November 1677 Edit this at Wikidata
title QS:P1476,en:"The Departure of William of Orange and Princess Mary for Holland, November 1677 Edit this at Wikidata "
label QS:Len,"The Departure of William of Orange and Princess Mary for Holland, November 1677 Edit this at Wikidata "
label QS:Lnl,"De afreis van Willem van Oranje en prinses Maria naar Nederland"
Object type painting
object_type QS:P31,Q3305213
Genre marine art Edit this at Wikidata
Description
English: The Departure of William of Orange and Princess Mary for Holland, November 1677

This picture shows the embarkation of Prince William of Orange and Princess Mary, his new wife, at Erith, Kent, on their journey to the Netherlands on what is often called the 'honeymoon voyage'. William married Mary, daughter of James, Duke of York, on 4 November 1677 at Whitehall Palace. Some days after their marriage the Prince and Princess were accompanied by Charles II and the Duke to Erith, where they boarded separate yachts for their return to Holland. Contrary winds then forced them to disembark at Sheerness and go by coach to Margate. A further embarkation from there on 26 November was equally abortive and they had to come ashore again and did not reach their final destination until December. Eleven years later they were to return to England to become King William III and Queen Mary II, when Mary's father, then James II, was deposed.

The picture shows the yachts and their escort preparing to get under way. The most prominent vessel is the 'Mary' a smack-rigged royal yacht shown in starboard-broadside view, with the Prince standing and recognizable because he is wearing a hat. The yacht is wearing the Prince's standard, a special Anglo-Dutch one designed for the occasion, and has her main-sail clewed up and her topsail aback. She appears to be waiting the delivery of a large trunk, shown in the galley about to go alongside her. A number of boats, including three barges hover near her and she is saluting to port. Beyond her to the right is another yacht with her anchors weighed, in starboard-bow view, and on the extreme right is the stern and starboard quarter of a two-decker. In the left foreground is a small bezan-rigged boat under oars, with two wherries nearby. In the left-hand side of the picture and further away can be seen three more yachts in starboard-bow view and two ships almost hidden by gun smoke. In the left middle-distance is the 'Charlotte', the yacht into which Princess Mary is embarking. Her standard is shown furled at her masthead. Later the Prince also moved onto this yacht. Near the 'Charlotte' is another state barge making-off up river on the flood. There is a yacht in starboard-bow view on the 'Mary's' port bow and further up river there are two other yachts and two ships, besides the 'Charlotte'. The land in the background is the north shore of the Thames, probably about Coldharbour Point.

Willem van de Velde the Elder was on board the 'Mary' and drew a numbered series of drawings throughout the voyage. The artist was the younger son of Willem van de Velde the Elder. Born in Leiden, he studied under Simon de Vlieger in Weesp and in 1652 moved back to Amsterdam. There he worked in his father's studio and developed the skill of carefully drawing and painting ships in tranquil settings. He changed his subject matter, however, when he came with his father to England in 1672, by working on views of royal yachts, men-of-war and on storm scenes. From 1672 the depiction of sea battles from the English side became a priority but unlike his father's they were not usually eyewitness accounts. However, from early 1674 both the van de Veldes were expressly patronized by Charles II for this purpose, the father to draw sea fights and the son - who was by far the more accomplished painter - 'for putting the said Draughts into Colours'. After his father's death in 1693 he was officially engaged to be present at and record significant maritime events. He continued to run a substantial and influential studio until his own death and with his father, especially as a painter, he is regarded as founder of the English school of marine painting. The painting is signed on the back 'W.V.Velde J'.

Departure of William of Orange and Princess Mary for Holland, 19 November 1677
Date after 1677
date QS:P571,+1677-00-00T00:00:00Z/7,P1319,+1677-00-00T00:00:00Z/9
Medium oil on canvas Edit this at Wikidata
Dimensions Painting: 1270 mm x 1829 mm; Frame: 1610 mm x 2180 mm x 135 mm
institution QS:P195,Q7374509
Current location
Accession number
BHC0322
Notes Signed. Depiction association: yacht Mary on right.
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/11814
Permission
( Reusing this file )

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use . Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright .
Identifier
InfoField
Acquisition Number: 1932-50
Caird Catalogue Number (CCAT): CC V1, P69, 417
id number: BHC0322
Collection
InfoField
Oil paintings

Licensing

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

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This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office ) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that " faithful reproductions of two-dimensional public domain works of art are public domain ".
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